Editing Draconis Combine

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As decreed by the First Coordinator, Draconian society is highly stratified.  At the top are the nobility or ''kuge'', responsible for running much of the government, followed by the warriors or ''buke'', who fight for the glory of the Dragon.  The middle class encompass a wide range of professionals, followed by the commoners or ''henin'' who perform the manual labor in society.  At the bottom are the Unproductives, composed of society's undesirables including criminal elements like the ''[[yakuza]]''.  Rarely is a Draconian able to rise above their station, but surprisingly most are content with their place in society.  This is thanks to indoctrination which reinforces a collective identity and adherence to the [[Dictum Honorium]] and instills in the average citizen glorification of the military and suspicion of all outsiders; for many Draconians, the only time they will ever visit a non-Combine world is to conquer it.<ref name=HK152/><ref name=HHK131/>
 
As decreed by the First Coordinator, Draconian society is highly stratified.  At the top are the nobility or ''kuge'', responsible for running much of the government, followed by the warriors or ''buke'', who fight for the glory of the Dragon.  The middle class encompass a wide range of professionals, followed by the commoners or ''henin'' who perform the manual labor in society.  At the bottom are the Unproductives, composed of society's undesirables including criminal elements like the ''[[yakuza]]''.  Rarely is a Draconian able to rise above their station, but surprisingly most are content with their place in society.  This is thanks to indoctrination which reinforces a collective identity and adherence to the [[Dictum Honorium]] and instills in the average citizen glorification of the military and suspicion of all outsiders; for many Draconians, the only time they will ever visit a non-Combine world is to conquer it.<ref name=HK152/><ref name=HHK131/>
 
[[Image:KuritaArt.jpg|thumb|right|250px|Unlike the lower classes, the nobility and military are encouraged to pursue artistic expression]]
 
[[Image:KuritaArt.jpg|thumb|right|250px|Unlike the lower classes, the nobility and military are encouraged to pursue artistic expression]]
Japanese cultural traditions - such as tea ceremonies, ''geisha'' and Nohkabu theater troupes - dominate the Draconis Combine despite the fact that a majority of Draconians are of non-Japanese ancestry.<ref name=HK152/><ref name=HHK133>''Handbook: House Kurita'', p. 133</ref><ref>''Handbook: House Kurita'', p. 182-183</ref>  This cultural hegemony was informal at first, receiving a boost in popularity after the construction of the Imperial City along traditional lines, but quickly became official government policy when [[Urizen Kurita (27th c.)|Urizen Kurita]] instituted the Kokugaku or National Learning program, stressing Japan's history and its language.<ref>''Handbook: House Kurita'', p. 36</ref>  Criticisms that such a narrow cultural focus serves as a means to discriminate against non-Japanese have been met by reassurances from various Coordinators that all who show loyalty to the Dragon will always be respected.<ref>''House Kurita (The Draconis Combine)'', p. 45</ref>  For example, [[Takiro Kurita]] softened Kokugaku by mandating Japanese language only for those entering government and military occupations,<ref>''Handbook: House Kurita'', p. 37</ref> and the School of Cultural Investigation on [[Al Na'ir]] is dedicated to exploring the diverse traditions which make up the Combine and how aspects of each are incorporated to create a greater Draconian culture.<ref name=HK152/><ref name=HHK133/>
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Japanese cultural traditions - such as tea ceremonies, ''geisha'' and Nohkabu theater troupes - dominate the Draconis Combine despite the fact that a majority of Draconians are of non-Japanese ancestry.<ref name=HK152/><ref name=HHK133>''Handbook: House Kurita'', p. 133</ref><ref>''Handbook: House Kurita'', p. 182-183</ref>  This cultural hegemony was informal at first, receiving a boost in popularity after the construction of the Imperial City along traditional lines, but quickly became official government policy when [[Urizen Kurita (27th c.)|Urizen Kurita]] instituted the Kokugaku or National Learning program, stressing Japan's history and its language.<ref>''Handbook: House Kurita'', p. 36</ref>  Criticisms that such a narrow cultural focus serves as a means to discriminate against non-Japanese have been met by reassurances from various Coordinators that all who show loyalty to the Dragon will always be respected.<ref>''House Kurita (The Draconis Combine)'', p. 45</ref>  For example, [[Takiro Kurita]] softened by Kokugaku by mandating Japanese language only for those entering government and military occupations,<ref>''Handbook: House Kurita'', p. 37</ref> and the School of Cultural Investigation on [[Al Na'ir]] is dedicated to exploring the diverse traditions which make up the Combine and how aspects of each are incorporated to create a greater Draconian culture.<ref name=HK152/><ref name=HHK133/>
  
 
This adherence to traditional norms explains the position of women in Combine society, which is often that of housewife and mother.  There are no formal barriers against women entering into higher education or joining the military, and some (especially high-born) have attained important positions in the political, corporate and military spheres, but few achieve the same level of equality as their male counterparts.<ref name=HK152/><ref name=HHK133/><ref>''House Kurita (The Draconis Combine)'', p. 80</ref>  When [[Siriwan McAllister-Kurita]] became the first female Coordinator, the idea of a woman sitting on the Chrysanthemum Throne did not sit easily among the patriarchal nobility, though her successes opened the door for future female rulers.<ref>''House Kurita (The Draconis Combine)'' p. 37-40</ref><ref>''Handbook: House Kurita'', p. 30-33</ref>  Within the military, few women had achieved the rank of General and none had been made a Warlord before the [[thirty-first century]],<ref>''House Kurita (The Draconis Combine)'', p. 130</ref> but that changed under Theodore Kurita as more women were promoted into the higher ranks and [[Tomoe Sakade]] became the Combine's first female Warlord in [[3062]].<ref name=HHK133/>
 
This adherence to traditional norms explains the position of women in Combine society, which is often that of housewife and mother.  There are no formal barriers against women entering into higher education or joining the military, and some (especially high-born) have attained important positions in the political, corporate and military spheres, but few achieve the same level of equality as their male counterparts.<ref name=HK152/><ref name=HHK133/><ref>''House Kurita (The Draconis Combine)'', p. 80</ref>  When [[Siriwan McAllister-Kurita]] became the first female Coordinator, the idea of a woman sitting on the Chrysanthemum Throne did not sit easily among the patriarchal nobility, though her successes opened the door for future female rulers.<ref>''House Kurita (The Draconis Combine)'' p. 37-40</ref><ref>''Handbook: House Kurita'', p. 30-33</ref>  Within the military, few women had achieved the rank of General and none had been made a Warlord before the [[thirty-first century]],<ref>''House Kurita (The Draconis Combine)'', p. 130</ref> but that changed under Theodore Kurita as more women were promoted into the higher ranks and [[Tomoe Sakade]] became the Combine's first female Warlord in [[3062]].<ref name=HHK133/>

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